Elemental:
‘Of primitive natural forces or passions.’
Primitive
natural forces? Who are we to call natural forces primitive? It’s
not as if we are separate from the force of nature and can force
ourselves against it. Not without dire consequence for the whole
which includes us within it.
So
is it really a mystery why what we call ‘our passions’ tend to be
so destructive? If we pit our natural force against what we are
one-with, what other result is possible?
Duality
is in the suicidal delusion of mind that believes itself ‘civilized’
by contrast with, ‘primitive’: 1. ‘Of an early simple stage of
development.’ 2. ‘Basic. Crude.’
Whereas,
if what we call ‘civilization’ wasn’t so perpetually,
glaringly, pathologically hypocritical, then our natural passions
might have a chance to be life-affirmative and creative. Which they
are, when not trapped in self- contradiction. Elemental is the way
nature is, naturally.
A
Native American saying: ‘It doesn’t take many words to speak the
truth.’ So, for those with a short attention span, think of
elemental as meaning, earthly, natural, worthy of reverence, and not
to be messed with.
Muse:
1. ‘In Greek mythology, one of nine Goddesses, each of whom
inspired an art or science.’ 2. ‘Force that inspires a creative
artist.’ Also means, to ponder quietly.
As
mentioned previously, the dictionary doesn’t have the last word on
anything. It’s a self-defining, closed circuit system of circular
logic, and circles don’t have ends, let alone a last word. Though
it helps sometimes to understand at least the title, in this case
Elemental Muse.
Not
that the force of inspiration is something distinct from the artist,
or from nature as a whole. That’s unthinkable, unless you think
the words are the reality.
How
can there be inspiration without a one who’s inspired, by something
that’s inspiring? So don’t imagine that, in exploring creativity
to its full, life-affirming potential, there’s any risk of going
mad, being plagued by demons, and becoming famous mainly for slicing
your earlobe and shooting yourself in a wheat field.
Unless
your passions are such that you think natural means crude, and
elemental is merely mental, or anything basic is something to either
conquer or be enslaved by. In which case you’d be well advised to
dabble with watercolours till you’ve sorted it out. Besides,
inspiration is receptive and to muse also means to ponder quietly.
Neither
do you want to become a passionless politically correct robot,
cybernetically entrained to invisibly intrusive synthetic
nanoparticles, dictating your every soulless predictable reaction.
If
that sounds frivolously improbable, then you’d be urgently well
advised to imminently immerse totally in nature, and disengage undue
dependence on artificiality lest your trinary synaptic flux be
transfixed by binary pixels.
‘Rocks
and Roots’, is the title of this most recent painting, which speaks
for itself without words. Inspired by an actual moment in nature,
though a moment is not a point in time. How do you pinpoint what’s
omnipresent except perhaps in paint?
ELEMENTAL
MUSE.
Dive
in deep, richness of layered leaf mulch settled by seasons’ rains.
Footfall
crack and crunch of scattered brittle sticks.
Soft
spongey moist and mounded moss to touch, cloaking all. Cladding
twists of root and fertile fungal growth in deep druidic green.
Stark
stillness of boulders embedded, quartz clusters lichen encrusted,
stray leaf-fall glistens.
Voluminous
rooted trunks twist criss-cross overlapping, branching out in dark
uplifted limbs against the light.
Barely
a small bird chirp as silent ooze, trickles down between rocks and
roots, vegetal, mineral, organic elemental muse.
~~~
~~~ ~ ~~~ ~~~
Martin
Rainbowmaker.